In The Pit, hand gestures from a trading-floor handbook flicker alongside fragments of La Salle Street, where signals once used to move commodities seem to echo in stone, glass, and air. Through rapid collage, the film traces how abstraction passes from bodies into buildings, how the choreography of exchange settles into the city’s surfaces. Capital appears not as an invisible force but as a rhythm that circulates between hands and architecture, leaving its patterns behind.

6.5 minutes | 2K DCP | 2026

SCREENINGS:
Onion City Experimental Film Festival